| Fight Back!, in Béatrice Joyeux-Prunel et al., The Struggle for DIgital Images, An Agonistic Perspective of New Media Floods, to be published |
| Towards a New Imag(e)ination, in Flussera Robionica (eds), A Piece of Artificial Intelligence, Postdam: University of Applied Science, 2024 |
| From visibilities to images: can AI models offer us a look beyond the invisible? |
| Mundus imaginalis: Philosophical lucubrations towards an imaginary approach to the question of synchronicity,
in Quantum Psyche 2, Genève: KDP Independant Publishing Platform, February 2021 |
| La fièvre - ce facteur trop humain, in Markiewick&Piron, PFH*, Luxembourg: Centre national de l'audiovisuel, March 2020 |
| The fourth meaning of the image: Flusser's invitation to envision the world.
in Flusser Studies, vol. 29, February 2020 |
| Image as articulation of thought, Doctorate's thesis, Saas Fee: European Graduate School, August 2018 |
| (+=-) PLUS IS EQUAL TO MINUS
texte de l’exposition Fabiana de Barros, Mais é igual a menos - 18 ans du Fiteiro Cultural, Sao Paulo: Sesc Pompeia, March 2017 |
| The Mirabaud Contemporary Art Collection
introduction et notices biographiques, Genève, 2016 |
| Nous devrions prescrire la poésie comme l'on prescrit les vitamines. * art public-art clinique-art poïetique.
Colloque Art & Psychiatrie, École des Beaux-Arts, Lieu Unique, Nantes, January 2015 |
| Œuvres en devenir - devenir d’une œuvre. L’an-archive de Bujar Marika,
in Dayer, C., Schurmans, M.-N. & Charmillot, C., La restitution des savoirs : un impensé des sciences sociales ?, Paris: L'Harmattan, April 2014 |
| I see. Do you? Thinking seeing, New York, Dresden: Atropos, February 2013 |
| Maquette d’un livre en construction
in Stanislas Amand, Lettre à une galeriste – Maquette d’un livre en construction, Lyon / Marseille: ENS / Image en Manoeuvre, 2012 |
| I see. Do you? Thinking seeing. Master's thesis. Saas Fee: European Graduate School, June 2011 |
| Marcel. Documents 1964 1972, Genève: Editions ART-HUG, January 2011 |
| Bujar Marika – Paradox Park
texte de l’exposition au Mamco, Genève: Mamco, October 2010 |
| Languageless
in Selcuk Artut, A/B, Istanbul: Amerikan Hastanesi, 2010. |
| Lydia Dambassina - Family Story I, in Highlights, n. 28, Athens, May-June 2007 |
| The ‘transdermic’ zone; a state of disruption, in DERMATOGRAPHIES, exhibition catalogue, Athens, 2007 |
| Some simple thoughts without any wish to make them more profound*
in Boot Print, vol.1 n.1, St. Louis, Missouri, March 2007 |
| Site as situation
in Thesi/Site, exhibition catalogue, Thessaloniki, 2006 |
| Le kiosque comme catalyseur
in Fabiana de Barros OPEN/OUVERT, Genève, 2006 |
| I curate, you curate, we curate,
in Curating: apopseis gia tin epimelitiki drazi, Gap files #1, Athens: Futura, September 2005 |
| The kiosk as catalyst
in Fabiana de Barros ABIERTO/OPEN/OUVERT, Sao Paulo: SESC Pompeia, 2005 |
| Rodchenko
in MoMA magazine, vol.1 n.4, New York: MoMA, July-August 1998 |